A native of Taiwan, pianist Shiau-uen Ding is an energetic performer of traditional and contemporary repertoire. She studied piano with Eugene Pridonoff, Elizabeth Pridonoff, and Lina Yeh, computer music with Mara Helmuth and Christopher Bailey, and contemporary improvisation with Alan Bern at National Taiwan Normal University and University of Cincinnati, where she received her doctoral degree. She lives in New York City.
She has performed in France, Germany, Belgium, China, India, South Korea, and throughout the US and Taiwan.
Most recently, she premiered Christopher Bailey's Empty Theatre,
a quasi-concerto for piano and orchestra, at SinusTon Festival in Germany.
She was called a
daredevil by The New York Times for her performance at
Bang on a Can Marathon and
a powerful force on the new music scene
by Array for her performance at Spark Festival in Minneapolis.
She directed and co-founded NeXT Ens, the first chamber ensemble in the US
performing solely electroacoustic music with national recognition. She has
collaborated with internationally renowned performers and composers,
including Steve Reich, Michael Kugel, George Tsontakis, who refers to
her rendition of his Ghost Variations as a
monster performance, and
Moritz Eggert, who dedicated his Hämmerklavier XIX: Hymnen der Welt
(Afghanistan bis Zimbabwe) to her. She has recorded for Capstone,
Centaur, Innova, New Focus, and Electric Music Collective.